How Do You Spell ETTORE BASTIANINI?

Pronunciation: [ˈɛtə bˌasʃi͡ənˈiːnɪ] (IPA)

Ettore Bastianini was an Italian opera singer known for his baritone voice. The spelling of his name can be broken down into phonetic sounds: /eh-TOH-reh bah-stee-AH-nee/. The first syllable is pronounced with a short "e" sound, followed by a stressed "o" sound. The second part, "Bastianini," has the emphasis on the second-to-last syllable, with a long "a" sound followed by a stress on the "ee" sound. Bastianini was a well-respected performer in his time, and his name lives on in the annals of Italian opera history.

ETTORE BASTIANINI Meaning and Definition

  1. Ettore Bastianini was an Italian opera singer, specifically a baritone, who lived from 1922 to 1967. Born in Siena, Italy, Bastianini is renowned for his vocal talent and exceptional artistry, making significant contributions to the world of opera during his career.

    Known for his rich, dark voice and commanding presence, Ettore Bastianini is considered one of the greatest baritones of the 20th century. His singing style combined power, expressiveness, and technical finesse, which allowed him to portray a wide range of characters with depth and emotional nuance.

    Bastianini achieved international acclaim for his interpretations of numerous opera roles, particularly those by composers such as Giuseppe Verdi and Giacomo Puccini. His repertoire included iconic characters like Rigoletto, Simon Boccanegra, Rodrigo, and Scarpia, among others.

    In addition to his vocal prowess, Bastianini possessed exceptional acting skills and stage presence, enabling him to captivate audiences with his performances. He was also recognized for his ability to convey the emotional depth of his characters through voice modulation and dramatic phrasing.

    Ettore Bastianini left a lasting impact on the opera world, influencing subsequent generations of baritones with his unique style and interpretation. Despite his untimely death at the age of 44, his legacy continues to be celebrated, preserving his status as one of the most revered baritones in the history of opera.